2014 Forest Hills Dr

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Looking for the best 2014 Forest Hills Drive Wallpaper? We have 67+ amazing background pictures carefully picked by our community. If you have your own one, just send us the image and we will show it on the web-site. 2014 Forest Hills Dr, Fayetteville, NC is a single family home that contains 1,000 sq ft and was built in 1969. It contains 1 bedroom and 1 bathroom. This home last sold for $121,000 in June 2014.

Talk:2014 Forest Hills Drive. 207.38.251.226 07:23, 30 November 2014 (UTC) Not done: The request you have made is blank. The request should be in the form 'please change X to Y'. Hurricane Florence hit the J.Cole's home on Forest Hills Drive, the namesake of the album. Interesting bit of information for this page.

Cole, Associated Performer, Main Artist, Producer - Jermaine Cole, Composer, Executive Producer, Lyricist - James Rodgers, Bass, Trombone - Casey James, Saxophone - Travis Antoine, Trumpet - Ronald Gilmore, Producer - Juro 'Mez' Davis, Mixing Engineer, Recording Engineer - Jeremy Cimino, Assistant Engineer - Jack Mason, Assistant Engineer, Recording Engineer - Dreamville, Executive Producer - Mark Pitts, Executive Producer - Roc Nation, Executive Producer - Brian Gardner, Mastering Engineer Copyright: (P) 2014 Roc Nation LLC. 2 January 28th. 00:04:02.

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Cole, Associated Performer, Main Artist - Jermaine Cole, Composer, Executive Producer, Lyricist - Nuno Malo, Strings - William 'Willie B.' Brown, Producer - William Brown, Composer, Lyricist - Juro 'Mez' Davis, Mixing Engineer, Recording Engineer - Johnny Burke, Composer, Lyricist - Sean Kellett, Assistant Engineer - Jack Mason, Assistant Engineer - Jimmy Van Heusen, Composer, Lyricist - Dreamville, Executive Producer - Mark Pitts, Executive Producer - Roc Nation, Executive Producer - Brian Gardner, Mastering Engineer Copyright: (P) 2014 Roc Nation LLC. 5 A Tale of 2 Citiez. 00:04:29.

J. Cole, Associated Performer, Main Artist - Jermaine Cole, Composer, Executive Producer, Lyricist - Kaye Fox - ANDERSON HERNANDEZ, Composer, Lyricist - Rose 'TS' Desandies - Yolanda Renee - Anderson 'Vinylz' Hernandez, Producer - Juro 'Mez' Davis, Mixing Engineer, Recording Engineer - Sean Kellett, Assistant Engineer - Jack Mason, Assistant Engineer - Dreamville, Executive Producer - Mark Pitts, Executive Producer - Roc Nation, Executive Producer - Brian Gardner, Mastering Engineer Copyright: (P) 2014 Roc Nation LLC. 6 Fire Squad. 00:04:17. J. Cole, Associated Performer, Main Artist, Producer - Jermaine Cole, Composer, Executive Producer, Lyricist - Ronald Gilmore, Keyboards - CharGaux, Strings - Mayfield W. 00:05:01.

J. Cole, Associated Performer, Main Artist, Producer - Jermaine Cole, Composer, Executive Producer, Lyricist - Ronald Gilmore, Keyboards - Dwight Andrews, Composer, Lyricist - Nate Alford, Recording Engineer - Deongelo Holmes, Composer, Lyricist - Juro 'Mez' Davis, Mixing Engineer - Jack Mason, Assistant Engineer - Eric Jackson, Composer, Lyricist - Dreamville, Executive Producer - Jonathan Smith, Composer, Lyricist - Mark Pitts, Executive Producer - Roc Nation, Executive Producer - Brian Gardner, Mastering Engineer Copyright: (P) 2014 Roc Nation LLC.

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J. Cole, Associated Performer, Main Artist - Jermaine Cole, Composer, Executive Producer, Lyricist, Producer - Nuno Malo, Strings - Kaye Fox - @PopWansel, Co-Producer - @JProof, Co-Producer - Juro 'Mez' Davis, Mixing Engineer, Recording Engineer - Sean Kellett, Assistant Engineer - Jack Mason, Assistant Engineer - Dreamville, Executive Producer - Mark Pitts, Executive Producer - Roc Nation, Executive Producer - Brian Gardner, Mastering Engineer Copyright: (P) 2014 Roc Nation LLC. 11 Apparently. 00:04:53. J.

00:03:31. J. 00:14:35 Unavail. Cole, Associated Performer, Main Artist, Producer - Jermaine Cole, Composer, Executive Producer, Lyricist - Ronald Gilmore, Composer, Keyboards, Lyricist, Producer - Nate Jones, Bass - David Linaburg, Guitar - James Rodgers, Trombone - Casey James, Saxophone - Travis Antoine, Trumpet - Rose 'TS' Desandies - Yolanda Renee - Juro 'Mez' Davis, Mixing Engineer, Recording Engineer - Jack Mason, Assistant Engineer - Dreamville, Executive Producer - Mark Pitts, Executive Producer - Roc Nation, Executive Producer - Brian Gardner, Mastering Engineer Copyright: (P) 2014 Roc Nation LLC.

Named after the address of his childhood home in North Carolina, J. Cole's third studio effort was released with no supporting singles, and there are no featured artists, either, because 2014 Forest Hills Drive is one of those personal, conceptual, and 'heavy' albums. Most importantly, it's admirable bordering on excellent, sure to inspire returning fans to herald it as a classic even if it doesn't woo the skeptical, casually wandering out of its intro with two smooth and soulful numbers that are so free, they're just shy of being clumsy. Key cut 'January 28th' puts gut-wrenching hard truths of the Pusha-T type ('What's the price for a black man's life?/I check the toe tag, not one zero in sight') next to wobbly wordplay that could have been lifted off some old Digable Planets LP ('Flow is bananas/Here, peel this back'), while 'Wet Dreamz' finds J. Cole the producer offering a beat that's rather Alchemist or 9th Wonder inspired, and then slathering it in plush strings for a perfect single on an album that refuses singles. Later, 'No Role Modelz' mixes a tribute to the late actor James Avery ('Rest in peace Uncle Phil'), with a bubbling beat that's a variation on cloud-rap (co-produced by Phonix Beats and Cole), and a snarky, snappy set of put downs that are like an elevated Fergie ('I don't want no bitch from reality shows/Out of touch with reality hos'), but all these flights of fancy fly freely since the album lacks an anchor. 2014 Forest Hills Drive comes off as a great, experimental, and advancing mixtape, but it's insider to a fault, as slight as that fault might be.

David Jeffries.

Following the release of his second studio album ‘Born Sinner’ just last year, J. Cole returns with the succeeding project ‘2014 Forest Hills Drive’. The title of the album derives from the address of the house that Cole used to live in as a child, and subsequently throughout the album he revisits moments from his childhood that have affected his life. The opening track, ‘January 28th’, is a typically smooth introduction from the North Carolina wordsmith, soulfully setting the overall tone of the project, similarly to the way he began his acclaimed 2010 mixtape ‘Friday Night Lights’. Despite calling on a number of different producers, which is a first on a J. Cole album, the cohesion of the record is not affected, and people may argue that it is in fact improved because of it.

Criticism of his previous albums that only included production from Cole himself, came from the feeling that the bodies of work did not include enough peak points, allowing the record to just drift unnoticed from start to finish. This cannot be said for ‘2014 Forest Hills Drive’, as listeners are treated to a explosive change of direction from Cole, on back to back songs ‘A Tale Of 2 Citiez’ and ‘Fire Squad’. On ‘A Tale Of 2 Citiez’ Cole speaks of the differences faced between a young man staying in his hometown trying to make money by any means, and another young man attempting to move on to bigger and hopefully better things by seeking higher education in a different city. This, of course, mirrors Cole’s own situation that he faced growing up and he creates a vivid picture of such. Cole’s aggressive flow as well as the gritty production helps to grab the listener’s attention, and the same can be said for ‘Fire Squad’ where his much-publicised lyrics about the success of white Hip Hop & R’n’B artists included mentioning Eminem, Justin Timberlake, Iggy Azalea and Macklemore. Mp3 kenny g free download.

Cole remarks that white artists that make music of black origin are often favoured in terms of how successful they can be, specifically with regards to the awards they receive (e.g. Macklemore beating Kendrick Lamar to the 2014 Grammy for ‘Best Rap Album’). Cole, as was the case on his previous album ‘Born Sinner’, chose not to have any verses from other rappers on his latest album, which is not necessarily a negative trait. Although, something that can be viewed as a negative was the neglect of any guest vocalists on the album, especially considering Cole’s production style that often caters for such artists. Instead, Cole stretches his vocal ability to its limits, leaving the listener pondering how much more effective certain songs could have been if a truly accomplished singer took the lead on certain parts of the album.

‘Love Yourz’ is an example of where Cole could have used the help of guest vocals, despite the song being a potential standout track, as he speaks on people learning how to appreciate their own lives, instead of coveting the lives of others. Some criticised J. Cole for using the same samples from hip hop classics when producing tracks for ‘Born Sinner’, particularly Outkast’s ‘Da Art of Story Telling’ on ‘Land Of The Snakes’ and A Tribe Called Quest’s ‘Electric Relaxation’ (Ronnie Foster – ‘Mystic Brew’) on ‘Forbidden Fruit Ft. Kendrick Lamar’. He’s followed suit on ‘2014 Forest Hills Drive’ via ‘St.

Tropez’, this time opting for use of Esther Phillips’ ‘That’s All Right With Me’ which was used on Mobb Deep’s classic ‘Give Up The Goods (Just Step)’ from their 1995 Album ‘The Infamous’. Cole’s attempts this time around should avoid disapproval as he’s completely altered the mood of the sample compared to the Mobb Deep version, something he didn’t really achieve on ‘Born Sinner’. Tropez’ paints the picture of his transition from an aspiring rapper to the established artist he has become today, explaining the highs and lows of the journey. Words by Nathan Fisher @nayefshr.